{"id":623,"date":"2026-10-23T10:40:23","date_gmt":"2026-10-23T08:40:23","guid":{"rendered":"https:\/\/pascal.hiernard.bzh\/?page_id=623"},"modified":"2026-10-23T12:07:50","modified_gmt":"2026-10-23T10:07:50","slug":"banksy","status":"publish","type":"page","link":"https:\/\/pascal.hiernard.bzh\/?page_id=623","title":{"rendered":"BANKSY"},"content":{"rendered":"<div id=\"pl-623\"  class=\"panel-layout\" ><div id=\"pg-623-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-623-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-623-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">Mus\u00e9e parisien<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<blockquote>\n<p><span style=\"font-family: arial, helvetica, sans-serif;\">Plus de 100 \u0153uvres !<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">C\u2019est un moment in\u00e9dit que nous vous proposons. Une immersion au c\u0153ur de l\u2019\u0153uvre de Banksy, un voyage qui d\u00e9passe les fronti\u00e8res.<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif;\">De Paris \u00e0 Londres, de Bristol \u00e0 Bethl\u00e9em, de Los Angeles \u00e0 Port Talbot. Banksy est un transfrontalier, un migrant \u00e9ph\u00e9m\u00e8re, un citoyen universel qui v\u00e9hicule des messages qui le sont tout autant.<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif;\">Mais, c\u2019est aussi un voyage \u00e0 travers le temps qui s\u2019offre \u00e0 chacun et chacune de nous\u2026 si nous voulons nous laisser emporter. C\u2019est la d\u00e9couverte ou la red\u00e9couverte des \u0153uvres murales de Banksy que le temps a parfois fait dispara\u00eetre, que la main de l\u2019homme a malencontreusement recouvertes, que l\u2019attrait commercial a souvent subtilis\u00e9es \u00e0 nos yeux de passants.<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif;\">Une exposition permanente dans un mus\u00e9e Banksy au c\u0153ur du centre culturel et artistique de Paris.<\/span><\/p>\n<\/blockquote>\n<p><a href=\"https:\/\/museebanksy.fr\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-family: arial, helvetica, sans-serif;\">Site du mus\u00e9e<\/span><\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-623-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-623-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">L'artiste<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><span style=\"font-family: arial, helvetica, sans-serif;\">Banksy est un artiste de street art britannique anonyme n\u00e9 vers 1973 \u00e0 Bristol. Actif depuis les ann\u00e9es 1990, il utilise principalement la technique du pochoir pour livrer des \u0153uvres satiriques m\u00ealant politique, po\u00e9sie et anticapitalisme, tout en prot\u00e9geant farouchement son identit\u00e9.<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif;\">D\u00e9buts et technique<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Origines : Il commence sa carri\u00e8re \u00e0 Bristol en peignant des trains et des murs \u00e0 la bombe.<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Pochoir : Il adopte le pochoir pour aller plus vite sur le terrain et \u00e9chapper aux forces de l'ordre.<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Style : Son art int\u00e8gre des figures r\u00e9currentes (rats, singes, policiers) et critique la soci\u00e9t\u00e9 de consommation et la guerre.<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif;\">\u0152uvres et actions marquantes<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 La Petite Fille au ballon (2002) : L'une de ses images les plus c\u00e9l\u00e8bres, d\u00e9clin\u00e9e \u00e0 Londres. En 2018, une version s'autod\u00e9truit en partie lors d'une vente aux ench\u00e8res chez Sotheby's.<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Mur de s\u00e9paration (2005) : Il r\u00e9alise plusieurs pochoirs sur le mur s\u00e9parant Isra\u00ebl de la Cisjordanie \u00e0 Bethl\u00e9em.<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Dismaland (2015) : Il con\u00e7oit un parc d'attractions \u00e9ph\u00e9m\u00e8re et parodique en Angleterre.<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif;\">Anonymat et reconnaissance<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif;\">Malgr\u00e9 des d\u00e9cennies de succ\u00e8s mondial et des ventes de ses toiles atteignant des millions de dollars, son identit\u00e9 exacte reste un myst\u00e8re, souvent associ\u00e9e \u00e0 Robin Gunningham selon des enqu\u00eates de presse. Vous pouvez en savoir plus sur son parcours sur la page d\u00e9di\u00e9e \u00e0 Banksy sur Wikip\u00e9dia ou explorer son univers via Beware Magazine.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-623-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-623-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-623-1-0-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277-623\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/off-pure.com\/wp-content\/uploads\/2023\/11\/banksy-kissing-coppers_75aed23d-adb1-4a63-a60f-4b4c1a0173c2.jpg?v=1654440149\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/banksyexplained.com\/images\/murals\/kissing-coppers-2004\/KISSING-COPPERS-1.jpg\" title=\"Kissing Coppers\" alt=\"Kissing Coppers\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><div id=\"pgc-623-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-623-1-1-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277-623\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.izoa.fr\/21174-large_default\/tableau-street-art-bansky-la-fille-au-ballon.jpg\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/www.izoa.fr\/21174-large_default\/tableau-street-art-bansky-la-fille-au-ballon.jpg\" title=\"La Petite Fille au ballon (2002)\" alt=\"La Petite Fille au ballon (2002)\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><div id=\"pgc-623-1-2\"  class=\"panel-grid-cell\" ><div id=\"panel-623-1-2-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"4\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277-623\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/cdn-imgix.headout.com\/media\/images\/07908b40-4183-4b0e-a739-6ecaf68218a6-1763369250614-listingId%3D11100%26fileName%3DIMG_6413_compressed.jpeg\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/cdn-imgix.headout.com\/media\/images\/07908b40-4183-4b0e-a739-6ecaf68218a6-1763369250614-listingId%3D11100%26fileName%3DIMG_6413_compressed.jpeg\" title=\"The Flower Thrower ou Love is in the Air (2003)\" alt=\"The Flower Thrower ou Love is in the Air (2003)\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><div id=\"pgc-623-1-3\"  class=\"panel-grid-cell\" ><div id=\"panel-623-1-3-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"5\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277-623\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.tallengestore.com\/cdn\/shop\/products\/MobileLovers-Banksy-GraffitiArtPoster_59926fb5-a9e9-45bd-b162-b2c50eb1662f.jpg?v=1696468701\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/www.tallengestore.com\/cdn\/shop\/products\/MobileLovers-Banksy-GraffitiArtPoster_59926fb5-a9e9-45bd-b162-b2c50eb1662f.jpg?v=1696468701\" title=\"Mobile Lovers (2014)\" alt=\"Mobile Lovers (2014)\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><\/div><div id=\"pg-623-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-623-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-623-2-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"6\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">...<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h5><span style=\"font-family: arial, helvetica, sans-serif;\">Kissing Coppers<\/span><\/h5>\n<p><span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Emplacement d'origine : Le mur du pub The Prince Albert sur Trafalgar Street \u00e0 Brighton, ville reconnue comme la capitale LGBTQ+ du Royaume-Uni.<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Th\u00e8mes : L'\u0153uvre d\u00e9fie les st\u00e9r\u00e9otypes de la masculinit\u00e9, remet en question l'autorit\u00e9 et c\u00e9l\u00e8bre l'amour queer face \u00e0 l'establishment.<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Technique : Pochoir en noir et blanc caract\u00e9ristique du style de Banksy, d\u00e9taillant les insignes, menottes et matraques des agents.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-623-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-623-2-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"7\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">...<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h5><span style=\"font-family: arial, helvetica, sans-serif;\">La Petite Fille au ballon <\/span><\/h5>\n<p><span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Le sujet : Une silhouette d'enfant en noir et blanc tend la main vers un ballon rouge vif en forme de c\u0153ur qui s'envole ou lui \u00e9chappe.<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Le message : L'\u0153uvre est souvent accompagn\u00e9e de la phrase \u00ab there is always hope \u00bb (il y a toujours de l'espoir).<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Les th\u00e8mes : Elle m\u00eale des notions ambivalentes de perte d'innocence, de fragilit\u00e9 des r\u00eaves et d'esp\u00e9rance face \u00e0 un environnement urbain aust\u00e8re<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-623-2-2\"  class=\"panel-grid-cell\" ><div id=\"panel-623-2-2-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"8\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">...<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h5><span style=\"font-family: arial, helvetica, sans-serif;\">The Flower Thrower ou Love is in the Air (2003)<\/span><\/h5>\n<p><span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Lieu d'origine : Peinte au pochoir sur un mur \u00e0 Beit Sahour (pr\u00e8s de Bethl\u00e9em en Cisjordanie) et sur le mur de s\u00e9paration entre Isra\u00ebl et la Palestine.<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Visuel : Un jeune homme masqu\u00e9 (portant une casquette \u00e0 l'envers et un bandana\/\u00e9charpe), pris dans une posture de combat ou de jet (comme pour lancer un cocktail Molotov ou une pierre), mais qui s'appr\u00eate \u00e0 lancer un bouquet de fleurs color\u00e9es.<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Technique : Pochoir (stencil) en noir et blanc pour le personnage, avec un bouquet de fleurs en couleur.<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Symbole : Un message universel de r\u00e9sistance pacifique, d'amour et de non-violence oppos\u00e9 \u00e0 la guerre et au conflit isra\u00e9lo-palestinien.<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Post\u00e9rit\u00e9 : L'image a \u00e9t\u00e9 d\u00e9clin\u00e9e en s\u00e9rigraphies, reproduite sur de nombreux produits d\u00e9riv\u00e9s et a fait la couverture du livre de l'artiste Wall and Peace en 2005. Elle a \u00e9galement fait l'objet de batailles juridiques autour des droits d'auteur de Banksy.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-623-2-3\"  class=\"panel-grid-cell\" ><div id=\"panel-623-2-3-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"9\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t><h3 class=\"widget-title\">...<\/h3>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h5><span style=\"font-family: arial, helvetica, sans-serif;\">Mobile Lovers, 2014<\/span><\/h5>\n<p><span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Emplacement d'origine : Apparue sur une porte de la Clement Street \u00e0 Bristol (Angleterre), pr\u00e8s du club de jeunesse Broad Plain Boys' Club.<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Description : Un homme et une femme enlac\u00e9s pour un baiser, mais chacun regarde avec attention l'\u00e9cran lumineux de son t\u00e9l\u00e9phone portable cach\u00e9 dans le dos de l'autre.<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Signification : Une critique acerbe de l'addiction aux technologies, de la d\u00e9pendance aux smartphones et de la perte des v\u00e9ritables liens humains dans la soci\u00e9t\u00e9 moderne.<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">\u2022 Destin\u00e9 \u00e0 une bonne cause : Apr\u00e8s avoir \u00e9t\u00e9 retir\u00e9e de la porte, l'\u0153uvre a \u00e9t\u00e9 vendue \u00e0 un collectionneur priv\u00e9 avec tous les b\u00e9n\u00e9fices revers\u00e9s au club de jeunes de Bristol qui faisait face \u00e0 de graves difficult\u00e9s financi\u00e8res.<\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-623-3\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-623-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-623-3-0-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"10\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277-623\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.bewaremag.com\/wp-content\/uploads\/2020\/10\/Banksy-femme-de-menage.jpg\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/www.bewaremag.com\/wp-content\/uploads\/2020\/10\/Banksy-femme-de-menage.jpg\" title=\"Sweeping It Under The Carpet\" alt=\"Sweeping It Under The Carpet\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><div id=\"pgc-623-3-1\"  class=\"panel-grid-cell\" ><div id=\"panel-623-3-1-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"11\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277-623\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/www.bewaremag.com\/wp-content\/uploads\/2020\/10\/Banksy-Seasons-greating.jpg\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/www.bewaremag.com\/wp-content\/uploads\/2020\/10\/Banksy-Seasons-greating.jpg\" title=\"Season\u2019s Greetings\" alt=\"Season\u2019s Greetings\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><div id=\"pgc-623-3-2\"  class=\"panel-grid-cell\" ><div id=\"panel-623-3-2-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"12\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277-623\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/thegaze.media\/storage\/app\/resized\/f3f\/03d\/480\/Banksy-Well-Hung-Lover-02-banksyexplained-com_resized_f3f03d48096ef3b8946661e3f83f6442abdc07c3.jpg\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/thegaze.media\/storage\/app\/resized\/f3f\/03d\/480\/Banksy-Well-Hung-Lover-02-banksyexplained-com_resized_f3f03d48096ef3b8946661e3f83f6442abdc07c3.jpg\" title=\"Well Hung Lover\" alt=\"Well Hung Lover\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><div id=\"pgc-623-3-3\"  class=\"panel-grid-cell\" ><div id=\"panel-623-3-3-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"13\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-8b5b6f678277-623\"\n\t\t\t\n\t\t>\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"https:\/\/banksyexplained.com\/images\/collectibles\/monkey-parliament-2009\/MONKEY-PARLIAMENT.jpg\"\n\t\t\ttarget=\"_blank\" rel=\"noopener noreferrer\" \t\t>\n\t\t\t<img \n\tsrc=\"https:\/\/banksyexplained.com\/images\/collectibles\/monkey-parliament-2009\/MONKEY-PARLIAMENT.jpg\" title=\"MONKEY PARLIAMENT, 2009\" alt=\"MONKEY PARLIAMENT, 2009\" \t\tclass=\"so-widget-image\"\/>\n\t\t\t<\/a><\/div>\n\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Plus de 100 \u0153uvres ! C\u2019est un moment in\u00e9dit que nous vous proposons. Une immersion au c\u0153ur de l\u2019\u0153uvre de Banksy, un voyage qui d\u00e9passe les fronti\u00e8res. De Paris \u00e0 Londres, de Bristol \u00e0 Bethl\u00e9em, de Los Angeles \u00e0 Port Talbot. Banksy est un transfrontalier, un migrant \u00e9ph\u00e9m\u00e8re, un citoyen universel qui v\u00e9hicule des messages [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-623","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pascal.hiernard.bzh\/index.php?rest_route=\/wp\/v2\/pages\/623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pascal.hiernard.bzh\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pascal.hiernard.bzh\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pascal.hiernard.bzh\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pascal.hiernard.bzh\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=623"}],"version-history":[{"count":23,"href":"https:\/\/pascal.hiernard.bzh\/index.php?rest_route=\/wp\/v2\/pages\/623\/revisions"}],"predecessor-version":[{"id":646,"href":"https:\/\/pascal.hiernard.bzh\/index.php?rest_route=\/wp\/v2\/pages\/623\/revisions\/646"}],"wp:attachment":[{"href":"https:\/\/pascal.hiernard.bzh\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}